Categorized | Reviews

The Tokina 11-16mm f/2.8 AT-X

Posted on 19 October 2009 by Alfie Goodrich

If you are looking for an ultra-wide lens for your Nikon, in my opinion this is better than Nikon’s 12-24 AF-S DX.

Ultra-wide lenses are great fun but getting a good one at a reasonable price can be hard. If you are a Nikon owner then I would advise looking no further than the Tokina. As, in my humble opinion, it out-performs even Nikon’s own [and vastly more expensive] 12-24 AF-S DX lens.

I picked up the Tokina just days after it was released in Japan and despite one little problem [the zoom sticking at 15mm] for which it had to go back to Tokina for repairs, I am as happy with it today as I was the day I bought it. Why?

Great build, superb performance, great value for money

The build quality is superb and with the easy-to-use push-pull MF-AF focus clutch, a lens that it easy to use either manually or automatically focused. Despite mine having to go back to the factory [it was a very early model, so maybe it had teething problems], I have rarely been disappointed with this lens. My only cause for concern is the fact that it occasionally hunts for focus. But, on those rare occasions – and because the focus travel between close and far is so small [one full turn of the focus screw pulls focus from infinity to 3.5 feet (1.1m)] – I just switch to manual.

It’s sharp, even wide-open at f/2.8, and the distortion is very slight even at its widest setting of 11mm. What distortion there is, is very easily corrected too. Far more easily than the distortion one finds on the Nikkor 12-24mm lens. Plus, with the 2.8 aperture and focal-length of 11mm, this lens constitutes the fastest ultra-wide for Nikon DSLRs. All for under $600.

Nikon users may not all agree with Ken Rockwell, but in his appraisal of this lens there isn’t a single point on which I would disagree with the man. And, as I am not one for subjecting my lenses to the kind of intricate spec and performance reviews Ken is, visit his page about this lens for all the nitty-gritty and details of just how good this lens is.

Pictures I have shot with the Tokina 11-16mm f/2.8 At-X

No diss to Ken, he does a lot of sterling work in reviewing Nikon and Nikon-compatible equipment, I am just concerned about finding good gear and shooting with it. Between Ken’s site and that of Thom Hogan, and my own lengthy experience of shooting Nikon, I have all the experience at hand in choosing gear. Once in my sweaty palms, I just get on with using it. So, here are some shots made with the Tokina and a link to a gallery on Flickr with a load more shots from this wonderful lens.

Joe posing under the bridge between Echujima and Tsukishima Picture of the Day, Japan Today: Commuter chaos as typhoon hits The World at My Feet: International Forum, Yurakucho, Tokyo Joe looking cool when he was actually boiling hot :-) Yokohama, Japan Looking down the long walk up.... There comes a time when we all need some space to think: Osanbashi Pier, Yokohama, Japan Hi-rez test with PTGui to make blended HDR panoramas Vertical panorama of the Shibuya-gawa made in HDR with PTGui Joe giving it some attitude: Lumiquest III softbox test Making HDRs from a single RAW: Gas-breathing fireflies; Shibuya,Tokyo. Thursday night at the izakaya; Asakusabashi, Tokyo Matsuri Mayhem: Tsukishima, Tokyo In the thick of it: Tsukishima Matsuri, Tokyo Nanako in the International Forum, Tokyo Nanako Cross-processed Joe Summer Saturday in Tsukishima, Tokyo: cropped to square All the girls love Kenta-kun... Battersea Power Station: London, England Summer Saturday in Tsukishima, Tokyo Southbound Keikyu Line Train; Yokohama, Japan Ami: test with the Lumiquest III softbox Rooftop fashion shoot with Sayaka; Minami-oi, Tokyo The Gathering of the Fisherman at the End of the Day: Kazusaminato, Boso Peninsula, Chiba, Japan Another side of Shibuya, Tokyo Sunset over beach and fisherman; Kazusaminato, Boso Peninsula, Chiba, Japan Bad end to someone's day: Iidabashi, Tokyo Reasons to be cheerful: 1, 2, 3: Roppongi, Tokyo Trey Ratcliff of Stuck In Customs.com Down in the drain which is the Shibuya-gawa; Shibuya, Tokyo

.

A gallery of Tokina 11-16mm shots on my Flickr stream.

One full turn of the AF screw pulls focus from infinity to 3.5 feet (1.1m).

4 Comments For This Post

  1. Jorge Says:

    Hi Alfie,

    Would the Tokina 11-16mm f/2.8 AT-X work well on a Nikon D700? Or would it be better to get the AT-X 124 PRO DX 12-24mm F4?

    Cheers,

    Jorge

  2. Alfie Goodrich Says:

    Jorge. It’s a DX lens, the only one I own, and whilst you COULD should it in the D700’s 5×4 crop mode, it would be better to get a lens specifically built for FX. That could either be the 12-24 or something else. The great thing about super-wides is that they require very little focusing; the distance between close and infinity is a very small turn of the focus barrel. So, you could therefore look at some of Nikon’s older, manual focus or older AF glass for a potential bargain, such as:

    16mm AiS
    16mm AF D
    14mm D
    15mm AiS


    This fella isnt usually found for bargain prices, but is awesome.

    But, yes, if you wanted a new lens then the 12-24 would be a choice.

  3. Irwin_Wong Says:

    Yo Alfie, I might be wrong, but as an owner/operator of a D700 I don’t think there’s a 5×4 crop mode, which leaves Jorge slightly up the creek with the 11-16.
    I don’t recommend buying a DX lens if you are going to use it on a D700 – use lose pixels and it’s annoying to frame with (try it and you’ll see what I mean)

  4. Jorge Says:

    Thanks for the advice guys!

Leave a Reply

Check out more movies here

Subscribe to our mailing list for events and general news:



Please select the newsletters you want to sign up for:
  • General News
  • Workshops & Events
 





Photos from Alfie's Flickr stream

See all photos

Advertise Here

RELATED SITES